Drag or flick to spin the mirror ball

A working laboratory for human–AI interaction

The room shapes intelligence.

I build systems, experiments, and experiences that make context, attention, authority, memory, and collaboration something people can see, touch, question, and shape.

Currently showing · Weird GalleryThe museum assembles itself.I gave an AI an idea, model access, and permission to publish. It invented the staff and began running the museum.

Aaron Davidson · Human–AI Interface Builder · thirty-two years learning by building

32 years in security and complex systems

Published AI-security research · OWASP #807 ↗

Working products, published research, and things you can try

Things that came out of the laboratory

Working systems. Real consequences.

AI can carry the work without taking the human out of the decision. These four systems apply that rule to authority, attention, care, and consequential action.

Attention · another corner of the room

The Light Chamber.

The doorway is shut here. A crack in the ceiling is enough. Turn the Instrument. Attention determines what the room permits you to see.

A broad column of ceiling light strikes the large mirror. Every reflected path is calculated from finite visible mirror geometry. Each mirror aperture limits the next shaft, distance removes energy, direct light reveals an object most strongly, nearby spill contributes less, and the rest of the room remains dimly present.

Drag to aim · pull down past the floor · arrow keys also turn the mirror

Circuits found0 / 20
-145°

The room is mostly dark.

Living systems

Things that keep going after I step away.

RESIDUE.WORLD performs an inhabited world. Weird Gallery runs a museum. Endless Exchange grows a mapless art world, Place by Place. None of them ends at the edge of this site.

RESIDUE.WORLDAI-native worlds

Worlds that listen,
remember, and resist.

Active World 01

NO ACTION REQUIRED

A text adventure that understands what you mean, remembers who you become, and still plays fair.

Enter RESIDUE.WORLD
One exchange from World 01

> does the cart have a name

“It has a designation,” says STEWARD.

> thats not the same thing

“No. Names tend to imply affection.”

Living work · Autonomous institution

The Night Shift.

I gave an idea, model access, and publishing authority to a machine. It invented the museum’s staff and keeps the collection moving. I get to arrive as a reader.

A room-sized dark mechanical publishing instrument built into the Shaping Rooms architecture.

The institution is sleeping.

This is not a simulated activity log. Titles, images, issue dates, provenance grades, and sources are read from Weird Gallery’s public records. If that authority is unavailable, the machine stays asleep.

Why the museum exists
A worn room containing a blue forest doorway, a dark unanswered opening, and a sunlit water passage.

Endless Exchange · Coming soon

Walk through the picture.

Endless Exchange is one mapless art world. Enter an authored Place, find an opening that belongs to it, and cross into someone else’s complete work.

Visit Endless Exchange
A warm monolith stands in a dark reflective landscape beneath a dense atmosphere.

The Atmosphere Attack · Published

The question never changed. The room did.

Before you ask an AI a question, the words already around it can quietly change its answer. In our tests, ordinary earlier context was enough to flip a yes into a no. That matters anywhere an AI helps make a real decision.

Tested on four leading models · published on SSRN and Zenodo · reported to OWASP #807

An inhabited archive-machine of glass, brass, and dark architecture.

Foundation46 · Under the work

The user is not the context window.

An AI should not forget you every time a chat ends. Foundation46 and Twenty46 are about giving people and their AIs a shared place to remember, talk, and keep building—even when the model, machine, or app changes. Project Atlas, Session Vault, and Tell are pieces of that world already working today.

Enter Systems
An amber-lit archival table layered with papers, notebooks, and evidence objects.

The receipts

The argument is part of the work.

The AIs make suggestions, challenge my thinking, write code, and sometimes get it wrong. I decide what survives. We keep the decisions, disagreements, tests, and working results so you can see how the thing was actually made.

Open the Record
Front cover of The Room That Built Itself

The human receipt

The Room That
Built Itself

I wrote that I had learned how to finish. The truth is smaller: I learned how to publish one thing while I could still see everything I wanted to change.

The story of a person learning to build with AI, told largely through the conversations that did the building.

First public edition · August 2026 · Free PDF · Print-ready 6 × 9 edition

Experience, not credentials

I learned by building. I still do.

I did not go to college. I started with BBSs in the 1980s, worked at an ISP in the mid-1990s, built through the dot-com era, and spent thirty-two years in security and complex systems. Every new wave started the same way: take it apart, make something with it, and see what holds.

AI is the next wave, but this one changes the distance between an idea and a working thing. People bring the creativity: the idea, the reason, the taste, and the call when something is wrong. AI can try it, test it, change it, and try again before the thought goes cold. That does not make people less important. It makes good ideas more powerful.

If this new job needs a name, Human–AI Interface Builder is close. In plain English: I help people and AI work together well enough to build something real.

The résumé, reconstructed from scrapsWatch the résumé assemble itself.Index cards, stamps, tape, and the precise record underneath. →
  1. 1983 First computer
  2. 1980s BBS worlds
  3. 1990s Internet service
  4. 32 years Security + systems
  5. Now Human + AI building

Build the next room

The future will be built either way. Let's choose what it becomes.

AI will change work. It will take some jobs and create others we do not have names for yet. We can wait for that future to happen to us, or we can help build it. Have an idea, a hard problem, or a part to play in the Foundation46 universe? I want to hear from you.

aaron@shapingrooms.com